


The camera does a good job here of balancing the color on these objects. If the light source changes – like clouds suddenly cover the sun, or you go from indoors to outdoors – unlock the auto white balance, wait for it to adjust, then lock it again.īonus tip – if you have a “color-neutral” object, like a white wall, a gray shirt, or even a white balance card or cap, fill the frame with that. The colors in your photos should remain consistent as long as the same exact light is falling on your subject. You’ll see “AWB-L” in a little blue square in your display, where the white balance normally is, when the auto white balance is locked.
#AUTO WHITE BALANCE LOCK ON DSLR PROFESSIONAL#
This will leave them looking consistent and professional (assuming the initial AWB correction is good).Īnd if you’re recording movies, now you can do so in AWB without your colors changing during the recording (assuming your light source is constant).įrom the YouTube video linked at the end, here are three different compositions in the same light without AWB Lock, followed by the same three compositions with AWB Lock. You’re locking in those color balance corrections when you use AWB Lock, and now all of your consecutive photos under the same lighting will have the same colors. One photo would look “normal”, then the next photo taken a few seconds later and in the same lighting might have a very noticeable purple color cast. If I were only recording the JPEGs, this would leave me with different colors in consecutive photos. The interior light was not changing, yet Auto White Balance set the temperature and tint corrections all over the place based only on what it saw in the compositions. But you can see how Auto White Balance adjusted the temperature and tint with each change of composition. The light source was not changing, thus the temperature and tint correction values shouldn’t have changed either. This was during a short period indoors and in constant lighting. This leaves your warm composition looking ice-cold.Īny change in composition can lead the camera to adjust the temperature and tint, or color balance of your photo, depending on the colors it sees in the frame. If you have a lot of yellows in your frame, the camera might interpret this as unnatural and add a lot of blue to balance it out.
#AUTO WHITE BALANCE LOCK ON DSLR HOW TO#
I’ve long advocated being familiar with how to set a manual or Kelvin white balance, especially if you’re trying to get good in-camera JPEGs, primarily so you have consistent colors from one photo to the next.Īs good as Auto White Balance can be sometimes, it can also sometimes be way off. If you’re not familiar with what white balance is or how to use it at all, I do devote an entire chapter to it in my Fujifilm Camera Fundamentals course. Let the camera do its magic to determine the color balance, hit a button to lock in the temperature & tint values, and then hit the button again to unlock it. What is Auto White Balance Lock (AWB Lock)?ĪWB Lock is just that – a way to temporarily lock your camera’s Auto White Balance. What is Auto White Balance Lock (AWB Lock)?.
